Monday, September 13, 2010

Richard Serra

Richard Serra was born in San Francisco in 1939. He began working in steel mills in order to support himself. Serra’s early work in the 1960s focused on the industrial materials that he had worked with as a youth in West Coast steel mills and shipyards: steel and lead. A famous work from this time involved throwing lead against the walls of his studio. Though his casts were created from the impact of the lead hitting the walls, the emphasis of the piece was really on the process of creating it: raw aggression and physicality, combined with a self-conscious awareness of material and a real engagement with the space in which it was worked. Since those Minimalist beginnings, Serra’s work has become famous for that same physicality, but one that is now compounded by the breathtaking size and weight that the pieces have acquired. His series of “Torqued Ellipses” (1996–99), which comprise gigantic plates of towering steel, bent and curved, leaning in and out, carve very private spaces from the necessarily large public sites in which they have been erected. Serra’s most recent public work includes the 60-foot-tall “Charlie Brown” (1999; named for the Peanuts comic-strip character in honor of its author, Charles Schultz, who had died that year), which has been erected in the courtyard of an office building in San Francisco. (Art:21)

Fulcrum 1987,
55-foot freestanding sculpture of cor-ten steel

Weights and Measures, 1987.
Hot-rolled steel.
Three plates: 337.8 x 528 x 7.6 cm (133 x 208 x 3 in.)

The Matter of Time, 2005
This installation consists of the combination of eight sculpture pieces put together
1,200 tons, 430 feet in length

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