For the majority of his career Linares has blended the concerns and methods of Transgressive, Conceptual, and appropriative art with popular culture in order to create his own unique iconography, some times controversial and always engaging. His work explores contemporary obsessions with everything from sex and desire, to race and gender, to media, and commerce. In Found and Lost, as the viewer passes through the exhibition space they are led through a collection of works that originate from existing works of art, which have been modified in order to reactivate and redirect their latent meanings—underlining the constant process of construction, deconstruction and reconstruction of this meaning present in each act of reading. In the case of both You Lookin’ at Me?, You Lookin’ at Me?, You Lookin’ at Me? and What does it say to you? these actions test not only the valid ity of the works being referenced, but also that of his own work, and suggests the revision of the position of the author as much as that of the spectator.
http://www.nyartsmagazine.com/index.php?option=com_content&view=article&id=574844:michael-lineares&catid=166:international&Itemid=723
http://www.artnet.com/artwork/425937483/423908876/michael-linares-afterlife.html
http://jameswagner.com/2006/04/michael_linares.html
Wait till grows, Swing 2007 Tree, pot, swing |
Afterlife 2008 Plant, skull, soil |
Oasis 2006 Wood, screws, enamel, plastic, assorted beers |
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